Heading out
for a shoot at the coast, I had in my mind a location as well as the type of
shots I wanted to come home with….I was wanting a shot along the beach where
the rocks form small channels where the water flows and I was really wanting to
focus on the movement of the water through the rocks. I was all set to capture the dynamic forces
of the ocean! As I drove out, I was planning
shutter speeds, thinking about how to shoot to achieve the feeling I want, as
well as how I’d process the shot. I was excited
to shoot and come home with the shots I was looking for. Well, when I arrived at
the location, the tides weren’t quite right to achieve the water motion I
needed/wanted, the sand had shifted and filled in some of the channels to the
point they weren’t interesting any longer, and the sky was cloudless and boring. All of my thoughts and planning lay in
shambles on the sandy beach!!!
As important
as planning and pre-visualization of your shots are, another crucial skill to
have as a photographer is the ability to quickly adapt to changing conditions,
locations or opportunities. As much as
you really wanted that iconic shot with epic clouds in the sky, as a landscape
photographer we are subject to the whims of nature. No amount of planning or hoping can reshape
the beach or put clouds in the skies.
So once I
picked my expectations off the ground, I got busy looking for something that
inspired me. I’m not content to just shoot anything, I
want to feel inspired to shoot a scene and then convey that inspiration to my
viewers. Not an easy task on the spur of
the moment. This is the time when you really have to flex your creative
muscles!
In these
times, it’s good to look at the big sweeping scenes to see if something
inspires you, or, like it did, start looking down at “little” scenes that could
also convey something meaningful. You’d be amazed how much cool stuff is right
at our feet. On this night, I came home
not with the dynamic shots I was looking for, but with several macro and “intimate
landscape” scenes that I found to provide some inspiration.
It is
important to try and pre-visualize your shots so that you can effectively work
a location or come home with those killer shots you want. Likewise, it’s equally important to be
adaptable to the changing conditions and be able to flex your creative muscles
at a moment’s notice so each of your photo trips can be productive, regardless
of the location or conditions.
Great points, John! I've found the same works for other visual art. I take hundreds of reference photos when I'm out hiking, and because of the often-less-than-ideal conditions, I find myself shooting images that I might not otherwise shoot. Some of these turn into good paintings. We were at Montaña de Oro in CA, and the low clouds made the light very flat. The mist hanging on the mountain caught my attention and I snapped a frame. Of all the dramatic "rocks and wave" pictures I took on that day, it was the gray sky and one that turned into an 8x10 painting that went on to win Honorable Mention in a juried show. You never know!
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