Always a student of photography and of psychology, I had an
interesting realization as I look back over the year across numerous
photographic outings.
During 2014, I spent a lot of time shooting by myself, but I
also had the opportunity to assist Jack Graham in teaching a couple of
photography workshops. When I’m by
myself, I don’t often think about what I am doing or why, I just do what I do
and try to come away with a few pleasing images. However, when working with others on their
photography, I am forced to try and vocalize more of my approach to photography
in the hopes of helping them develop their craft further. This has in turn brought to light a thought
about compositions and engaging the viewer that I’d like to share.
We often joke about photographic success is having someone
view your image for longer than 5 seconds….it means that you’ve captured their
attention. What is it about an image
that can engage a viewer for longer than 5 seconds? And why would a different image from the
same location barely garner a glance? I
believe there are many answers to this question and many factors to what makes
an image compelling…..it’s an assemblage of all the components of an image as
well as the viewers receptiveness to what your image portrays. But the answer
is never so easy, nor is it formulaic.
If we take a step back away from photography and look at
literature, stage, film or even music, what is the common thread that engages
an audience? What keeps them in their
seat, entertained, for an hour or more? The answer is, an engaging story! A good story can make a visceral and cerebral
connection with the audience and take them on a journey, or place them in a
specific location, or move their emotions in ways to both entertain and please.
Now, taking this concept of a “story” back to photography,
one theory I have about compelling photographs is that they also tell a very
good story, one that engages the viewer and gives them reason to pause. Something that will grab their attention and
hold on to it. Of course other things
contribute to the photograph, such as technical details being executed well and
favorable environmental conditions, but those things are not the main driver of
storytelling, they are instead tools which the photographer uses to create a
compelling story. The
photographer is the driving force to envision and create a composition, using
the available tools at hand, to influence and drive the “story” that a viewer
might see in an image.
As I interacted with
workshop students, they would ask me to look through their viewfinder at their
chosen composition. Depending on the
experience level of the student, I had a variety of feedback about their
composition. As I helped more and more
folks with their compositions, I began asking them a couple of questions over
and over again….”what are you trying to say in this image?” “What is the story
you are trying to tell here?”, “why are you taking this image?” As they used words to describe what they were
trying to capture, that helped me give them better feedback since many times
the words they used did not match what I was seeing through the
viewfinder. So, I would help them make adjustments
to the composition or camera settings to reflect what they wanted to capture in
their minds eye.
Other times, the words they used to describe their intent
was simply “I just want to capture the subject as best as I can so show people
what this is like”, which is a fantastic answer as well. Not every image needs to have a compelling
story or be totally engaging to a viewer.
So, how do I tell a
good story in my photograph?
When I use the word storytelling, it’s really just another
word for the “artful composition” of the photograph. It’s how you compose your image to tell the
story that you want to tell, that you want the viewer to see/hear.
Before you click the shutter button, of course check the
basics of your composition to see if the scene is well framed, nothing
distracting poking into the image and overall you will capture what you intend
to.
But on a deeper level, I might recommend to pause and ask
yourself “why am I taking this picture?” “What story do I want to tell about this
location or subject” Is it solely a
documentary image to show what it is like at a particular location? Or, is it something more, something that is
“speaking” to you about this scene? If
so, what is it about this scene that is compelling, or moving, or tells a great
story?
Since the word “storytelling” is often associated with the
written or spoken word, I will use that metaphor as I’m composing an
image. How would I use words to describe
the image I want to take? If I cannot tell myself a good story, then how could I convey it in my imagery?
If you were standing in front of a large print of your image
and someone was next to you, what would you say about it? How would you describe what motivated you to
take the picture? How would you describe
the scene? How would you weave a story together? How would you use words to engage
the viewer? Does your photograph match
the words you used?
Now, imagine that you are not there to speak about your
image to a viewer, would your story be clear to them? Could they relate to your story or even envision another story for
your image? Even if they couldn’t
articulate it, could they understand the thoughts and feelings of your story to
the point that they are engaged for more than 5 seconds?
Why call it a “story”
and not a “subject”?
Great question! I
think it’s a fine line between “story” and “subject” and also open to
definition and interpretation. I’m sure that some will scoff at my definition
between the two, but if you’re with me so far in this article, then hang with
me a little more and hear me out.
In my mind, a “subject” is a pretty straightforward
concept….it’s typically a thing. A
waterfall, a tree, a winding river, a building, a person, a scenic overlook,
etc. Subjects are easy to spot and
identify, they are usually the most prominent feature in front of you, it’s why
you went to that specific location. And
many times, photographers strive to shoot the subject as best as they can to
properly represent the reality of the subject….shoot it as completely and
accurately as possible. I’m not saying
there is anything “wrong” or bad with these images, not at all! I’m just trying to draw a distinction between
subject and story. Subject images can be
incredibly compelling or awe inspiring and can convey a lot of feeling and
emotion to a viewer. They can also be
documentary in their representation and not compelling to many viewers. How many times have you seen well executed
photographs of popular landmarks and moved on fairly quickly saying to
yourself, “yep, nice picture. I’ve seen many nice pictures of this place. Moving on….”
A story on the other hand is a much more subtle concept and
open to interpretation. When I say
“story” I’m not speaking of a literal story with a beginning, middle and end,
but more of a collection of words that you would use to describe your image
about what you want your viewer to take away from the image, to capture their
attention and perhaps tickle their imagination.
A story can involve subjects, either in whole or part, but the subject
could be represented in more than just a factual manner, there could be an
artistic interpretation of the subject to convey specific feelings or words
that you want the viewer to feel about the subject. Or, there may not be a clear subject that
easily identified, yet you could still tell a story about the elements that are
in the image. Stories can convey
meaning, they can convey emotion, they can represent struggles, they can cause
a reaction in the viewer….any manner of possibilities when you think about “stories”
instead of “subjects”
One other very important thought….not all images have to
have a story to be engaging! Don’t try
too hard to tell a story if one isn’t there.
Maybe a few examples might help…….
In this image, the waterfall is the obvious subject. Yes there is color in the trees and some
atmospheric interest, but it’s the waterfall that’s the main subject of this
image.
Now, here's a picture of the same falls but from a different
perspective and only of a small portion of the falls. A completely different feel and potential
interpretation of the same location.
What is the subject? The
waterfall is pretty obvious, but since it’s not represented completely, I would
say that’s not the subject. What is the
story? Well, to me and what I tried to
convey, it is the rushing water, the power of the falls and the resilience of
the rocks being pummeled constantly by the water. It’s the beauty of motion and the solid
foundations that it’s pushing against. With
this interpretation, the water and the rocks are the “subject” or the “things”
in the image, but it’s the interplay between the elements that is telling a
story.
For another example, the below image was shot in Hayden Meadows in Yellowstone
N.P. It was a nice sunrise in a very
iconic location. There were many ultra
wide angle shots to be had in this location to encompass the whole scene, but I
chose to put on a zoom lens and only capture a portion of it to try and convey
what it was like being there on a more subliminal level. Yes, there are trees and water and a nice
curve, but what really made this morning special was the rising fog and the way
the light illuminated it. THAT to me was
the story, the fog and the new days sunlight.
So, I sought to capture that “feeling” as best I could and really accentuate it for the viewer.
In this next image, the story I’m trying to convey to the user is
more about the feelings and imagination that I’m trying to invoke in them. The key parts of this image to me is the
texture of the sand and the golden quality of the light. Since it’s not showing the whole beach, the
viewer is free to imagine a time when they were on a beach, any beach, and they
saw light like this or walked barefoot across sand ridges. Yes, sand and water could be the simple
“subjects” in this image, but the “story” is about light and texture. I worked
my composition to accentuate the light and how it highlighted the sand ridges,
while also balancing the image between the water and the sand.
In this example, I think it has both a subject and a
story that I’m trying to impart to the viewer. The light beam is the obvious
subject and I tried to capture that as best as possible. Underneath this subject though, is a more
interesting story that viewers are drawn to…the motion of the sand in the light
beam. Once the initial wow factor wears
off and they look more closely, it’s the motion in the light that really
captures their attention. This was an
intentional decision on my part as I was shooting this. I could see the motion of the sand falling to
the floor of the canyon and I wanted to capture that underlying story of fluidity (since water & wind shaped the walls), so I
adjusted my shutter speeds to bring the right amount of definition and blur
into the image.
And to me, any image of a slot canyon regardless of overall
subject or composition is about shape, color, texture and light. That is the
real “story” that I try and accentuate in any image in the canyons. There are endless ways to capture different
stories about the shape of the rock, how the light plays across its twists and
turns, how vibrant the color can be or how you can see countless layers in the
rock telling a story of time.
And don’t forget how color, or the lack of color, could
greatly change the interpretation, or story, you are trying to convey in an
image.
Here is a color version of an image. What do you feel/think when you see this?
Now, here is the same image represented in black and
white. What thoughts/feelings do you
have about this one? Does it tell a
different type of story to you? Is it
more powerful visually or less so?
In Summary…
As we evolve artistically, we move through different stages
of discovery and hopefully our art changes and reflects where we are
technically, emotionally and artistically.
As I’ve moved through different stages of development, I continue to
look for ways to engage both myself in the creation of art and my viewer in how
they receive and interpret my art. I continuously
strive to build a connection, through my images, with viewers and one way I
feel I can do that is to consciously evaluate my compositions and ask myself, “what
am I trying to say” in this image and ensure that I do all that I can to capture
my story so it can be conveyed to the viewer.
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